Calebasse
2023
Kalbas Restaurant Châtelet Les Halles
Paris, France
2023
Kalbas Restaurant Châtelet Les Halles
Paris, France
Altitude
2022
Colombes, France
2022
Colombes, France
L’amour sur les mains
2022
MX ARTS TOUR 2022
Lannéanou, Morlaix
Bretagne, France
Photos W&B Studio
2022
MX ARTS TOUR 2022
Lannéanou, Morlaix
Bretagne, France
Photos W&B Studio
Cavalière
2022
Paris, France
Racines entrecoupées
2022
Paris, France
2022
Paris, France
Ivresse
2021
STREET’ART’MAGNAC Festival 2021
Chateau de Millet
Eauze, France
2021
STREET’ART’MAGNAC Festival 2021
Chateau de Millet
Eauze, France
Chateau de Millet is a family-run business producing several types of armagnac, wines and ciders. Painted for STREET’ART’MAGNAC Festival 2021, we explore the contrasts of life as it pertains to having a taste for the occasional glass. With the giggles of close young friends on the left, we evoke the exhilaration of life, the joy of living and the carefree spirit of this friendly moment, like a good memory they’ll be recounting in a few years’ time. The framing is closer to the viewer, more intimate. The language is accessible, uninhibited and of course, funny. On the other hand, we have an homage of Edward Hopper’s Nighthawks , which evokes the nocturnal atmosphere of the bar and the more mysterious experience between adults. Time seems frozen, recalling a more serious side and another form of social interaction. Two ways of evoking alcohol, and therefore two ways of enjoying it.
Elaine Constantine photo reference
Homage to Nighthawks by American artist Edward Hopper
Andrew Agutos. Lil britty bitty bop, 2020. Acrylic on canvas, 30x30cm.
Andrew Agutos. Chez Nous (Paris 19ème), 2022. Acrylic on canvas, 70x70cm.
A tryst un-rendez vous
2021
Jardin Fessart
Paris, France
2021
Jardin Fessart
Paris, France
Délicatesse
2021
Paris, France
2021
Paris, France
Venus Projection
2021
Spot 13
Paris, France
Venus Projection is a large-scale work that blends classical and contemporary styles. The piece features two central figures: one is a reinterpretation of The Birth of Venus by Sandro Botticelli, with Venus’ flowing red hair and serene expression. The second figure, a modern interpretation, depicts a Black woman in a classical pose wearing an off-the-shoulder gown—traces of Botticelli’s portrait casting a distorted image on the woman as if being covered by the light of a projection.
With the juxtaposition of these figures, we create a dialogue between traditional European ideals of beauty and contemporary expressions of identity, emphasizing diversity and inclusion.
Viewable from the highway in Paris, we wanted to depict both a celebration of classical art and a challenge to reframe beauty standards through the lens of cultural diversity. The setting and scale suggest an encompassing experience, as well as a thought-provoking statement.
Sandro Botticelli. The birth of Venus, 1484-86.
With the juxtaposition of these figures, we create a dialogue between traditional European ideals of beauty and contemporary expressions of identity, emphasizing diversity and inclusion.
Viewable from the highway in Paris, we wanted to depict both a celebration of classical art and a challenge to reframe beauty standards through the lens of cultural diversity. The setting and scale suggest an encompassing experience, as well as a thought-provoking statement.
Sandro Botticelli. The birth of Venus, 1484-86.
Complicité
2021
Spot 13
Paris, France
2021
Spot 13
Paris, France
Erykah
2021
Paris, France
2021
Paris, France
Jomad, Andrew & Sun.C
Belleville Basquiat
2021
Paris, France
Les pages
2021
Malakoff, France
2021
Malakoff, France
Digi-femme
2021
Malakoff, France
2021
Malakoff, France
Untitled
2020
Malakoff, France
2020
Malakoff, France